Sleep No More in Shanghai Disrupting Performing Arts Market
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The “Sleep No More” was an experimental new play that came to the stage of the Barbican Theatre in London’s Covent Garden district at the beginning of this year. It immediately grabbed attention of the world’s performing arts audience and its performances were received by rave reviews. The play was based on the “Moriarty” stories, which were written by the American author and screenwriter, Lindsay Anderson, who played a leading role as director and writer. Sleep No More was presented in an unusual way that transformed traditional performing arts stage
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Shanghai, the booming financial center of China, is on the verge of an unprecedented cultural explosion, with a growing audience for the arts that is expected to surpass 20 million by 2025. Sleep No More is one of the leading cultural institutions and creative collectives, creating a platform for innovation and change in the field of performing arts. Sleep No More was founded in 2006 by director and multi-disciplinary artist, Mike Daisey. Its flagship venue, The
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Sleep No More opened in 2013 as a stunning new theatrical adventure in the heart of downtown San Francisco, USA. The show took a break in 2017 when it relocated to London’s West End, but was later re-launched by the creative team in Shanghai in 2018, marking a momentous change. As a world-renowned theatre company, the original creators of the piece had set their eyes on the emerging Chinese market and were eager to see the show come to
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“Sleep No More” is a groundbreaking theater production that was originally staged in 2011 at the New Theatre in London, UK. click here to find out more It was later transferred to New York’s Brooklyn Academy of Music, which saw over 3 million visitors. It was so successful that it’s now making its way to its second city, Shanghai, in April 2019. The production was a fusion of theatre, dance, music, and contemporary arts, making it the first time in the history of theater that artistic elements were combined in
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Sleep No More, the award-winning immersive theatre production based in London’s Southbank Centre, was invited to Shanghai, China as part of the 10th Shanghai International Festival of Contemporary Theatre in December 2013. The event is significant as the first time a major western theatre production has been commissioned and produced in mainland China. Shanghai is also the first time that a major European theatre has visited China. “It’s a real milestone and a landmark for the theatre industry in China,” says director
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Sleep No More is a groundbreaking concept created by Marina Abramovic. She has created an immersive experience which challenges traditional ways of performing arts. The show takes place in an old warehouse in Soho, London. It is a laboratory experiment where the artists are working together in close contact, sharing physical and emotional energy. The audience is led to a dimly lit room where people are being instructed to sit down and keep still. After a few minutes of standing, the audience starts to move to the rhythm of the artist’
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“In Shanghai, the traditional performing arts market has seen disruption with “Sleep No More.” I’ve been studying Sleep No More’s impact on the industry for the last 6 months. “Sleep No More” is a theatre event which features a night long show in a disused warehouse in Gaggenau, Germany. After the success of “Sleep No More,” “Sleep No More” moved to Shanghai. It’s a cultural hub with endless possibilities to disrupt the traditional performing arts market in Shanghai, particularly in